He leaves a girl, then hopes she's thinking of him. Ocean's life is a lot like a video game: He tries to steer the outcome, but he's limited to a certain set of controls.Ī classic R&B love song and direct descendent of Nostalgia, Ultra. The tuning of the titular "channel," with sounds of the city, a television, and a video game framing what's to come. And since you're probably going to be hearing more about it, anyway, Rap Genius, the Internet's most intelligent repository of hip-hop lyrical analysis, has provided us with some track-by-track liner notes on the meanings contained therein. It's also likely to please fans of Ocean's mixtape, Nostalgia, Ultra, while appealing more broadly to hip-hop, R&B, and pop audiences. The record represents a startlingly complex, dark, and emotional journey that could easily fit into any number of "Best of" lists, even in July. But a certain recent announcement has given it a whole lot more attention. “Frank Ocean.” Wikipedia, 2017, en./wiki/Frank_Ocean.Some people had already been anticipating Frank Ocean's debut album, Channel Orange (released this week ahead of schedule, and which you can stream here), for several years now. The use of a slower transition makes it easier for the listener to prepare for the sharp change in style and meaning. The use of bass in beginning contrast with the ending guitar by adding some “funk” to the intro, while the ending guitar solo is slowed down and drawn out. The combination of the slower tempos and dynamic changes in sound add to the overall mellow mood. As this realization sets in, the chorus is repeated and the music dies down to a solemn guitar solo. After the lull, the tempo speeds up again as he starts to explain his relationship with a prostitute named Cleopatra, “working at the pyramid, working at the pyramid tonight.” As he continues he expresses his love for this women even though he is her “pimp” and they cannot be together. The beginning is referencing history with subject being on a women named Cleopatra. This shift is also the turning point in the meaning of the song. Then half way through, there is dance break that leads the listener into almost a completely different song. After the first verse the tempo begins to pick up then slows down again during the chorus. When the music starts, tempo are slower giving the song a weightless feeling. He then changes the style of the song to a more modern “club” impression until the end of the song where it slowly fades away with a guitar solo. The music becomes more faint, smooth creating that same calm atmosphere he began with. This theme continues when the story changes mid-way through the song. Ocean eases the listener into the song with a soft intro then shifts to a louder, heavier bass that forces attention to the story. DynamicsĪnother factor that adds to complex nature of this song is the variation is sound. With the length of the song (9:53) distinct change within the song creates the illusion that these two parts are completely separate songs. The first half of the song has a different chorus than the second half. The beginning starts with the chorus then leads into a transitional verse which then flows into the actual first verse. While listening this song, it is separated into parts. This song in particular is credited as “nearly 10-minute epic that touches on everything from club music to good old-fashioned slow jam R&B” (Dobbins) Pyramids was written by Frank Ocean and James Ryan Ho and was produced by Frank Ocean, Malay, Om’Mas Keith in Hollywood. He had previously made mix tapes and would post his music on SoundCloud. In contrast to my analysis of a song from the 20’s, this song was released very recently.įrank Ocean is a younger artist this song is actually from his 2012 debut album. I have recently found that I am starting to prefer relaxed music.
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